Difference between revisions of "2022-05-30: Drowning in Memory"
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*'''Date:''' <2022-05-30> | *'''Date:''' <2022-05-30> | ||
*'''Summary''': ''<Puru Two remembers simpler times with one of her ailing clone sisters.>'' | *'''Summary''': ''<Puru Two remembers simpler times with one of her ailing clone sisters.>'' | ||
− | |||
---- | ---- | ||
+ | <!-- Produced by MUSHclient v 5.06 - www.mushclient.com --> | ||
+ | <table border=0 cellpadding=5 bgcolor="#000000"> | ||
+ | <tr><td><pre> | ||
+ | | (This cutscene takes place after Puru Two is in the same map grid as the | | ||
+ | | Garencieres, and by extension, Marida Cruz.) | | ||
+ | | | | ||
+ | | *** | | ||
+ | | | | ||
+ | | | | ||
+ | | The shower has been running for half an hour, by now. The pump has long | | ||
+ | | since flicked over to cyclical mode, because in the age of compact fusion | | ||
+ | | reactors, electricity is cheap. Pale fingers splay against ceramic tiles. | | ||
+ | | The cubicle's sole occupant does not stand, so much as lean against an | | ||
+ | | imminent collapse. | | ||
+ | | | | ||
+ | | (Eleven identical children strain against their restraints, the | | ||
+ | | visors of their normal suits clinking against a porthole. A | | ||
+ | | A grand sight awaits them: the sun rising over the mighty spires | | ||
+ | | of Axis. Soon to be their new home. To their young eyes, it | | ||
+ | | is as wondrous any magic kingdom of legend.) | | ||
+ | | | | ||
+ | | Almost a perfect white noise, the arrhythmic chattering of water drowns out | | ||
+ | | the static from within Puru Two's soul. Her back and neck are seared a | | ||
+ | | brilliant red, as if recently slapped. The vapour fills her lungs and | | ||
+ | | dizzies her. One finger lies still upon the stud which increases the | | ||
+ | | water's temperature, and the display dully blinks: 107 F. | | ||
+ | | | | ||
+ | | (Ten identical children crowd around one who has fallen in a | | ||
+ | | grassy quadrangle. The one who has fallen is thrashing, | | ||
+ | | writhing, choking on something so harmless as a mouthful of | | ||
+ | | nutrient gel. Being children, they panic. They cry. One | | ||
+ | | of them runs for the sliding doors of the compound in search | | ||
+ | | of a minder. It's not the fallen girl's fault. Her body is | | ||
+ | | tired of the medicines, the augmentations, the changes in | | ||
+ | | pressure. Her mind is tired, it resists the rigid structure | | ||
+ | | forced on it. This is an unknowing act of rebellion.) | | ||
+ | | | | ||
+ | | A bath was preferable, but a shower? Almost as good. As each sense | | ||
+ | | gradually grows too overloaded to keep track anymore, it's as good as | | ||
+ | | turning them off. Eyes squeezed shut, Puru Two stares at the evolving | | ||
+ | | fractals of grey-green that dance in the absence of sight. She feels only | | ||
+ | | the numb drumming of the shower, hears only the distant roar of blood in | | ||
+ | | her ears. The scent of faded shampoo has supplanted anything natural. The | | ||
+ | | thin, recycled water in her mouth tastes of nothing. She is as removed | | ||
+ | | from the physical world as can be. | | ||
+ | | | | ||
+ | | (One of these children drops to her knee and throws her | | ||
+ | | book aside. The tablet spins lazily, end-over-end, in | | ||
+ | | the low Axis gravity. She lifts her gagging sister in her | | ||
+ | | arms, covers her eyes with one hand. One less sense to be | | ||
+ | | overpowered by. Swiftly now, she moves both hands to the | | ||
+ | | girl's abdomen. Closes one hand to a fist. She can feel the | | ||
+ | | colour of her sister's presence, wild with panic and yet-- | | ||
+ | | so tired. So wearied, ready to just run out of air | | ||
+ | | and escape this life.) | | ||
+ | | | | ||
+ | | Puru Two's mind and spirit linger in the space between past and present, | | ||
+ | | somewhere deep within. Withdrawn within her shell, submerged beneath the | | ||
+ | | waters of a distant memory. The only place she can escape the whisper of | | ||
+ | | nearby minds. Whispers she can usually withstand, but not today. Not right | | ||
+ | | now. | | ||
+ | | | | ||
+ | | (The child with the numeral II on her gown gives a guttural | | ||
+ | | grunt of effort as she tugs her fist upwards into her sister's | | ||
+ | | ribcage. Choking noises give way to something liquid, wet, awful. | | ||
+ | | And then--coughing. Crying. Tears of pain, and relief. The | | ||
+ | | thrum of the sick girl's presence regains a warmer tone. | | ||
+ | | The chilling fear of the end abates, giving way to more | | ||
+ | | pedestrian complaints.) | | ||
+ | | | | ||
+ | | For eight long years, Puru Two has spent every cent that she has, she has | | ||
+ | | stolen and lied and threatened and run from one place to another for a | | ||
+ | | single purpose. Forever chasing a sign that someone; any of her kin still | | ||
+ | | live. | | ||
+ | | | | ||
+ | | (A scheduled spring breeze washes over the frightened children. | | ||
+ | | The one suffering the most lies with her head buried within her | | ||
+ | | savior's lap. Arms loosely cling to her waist. | | ||
+ | | Her every sense screams: I want to go home! But this is all home is. | | ||
+ | | Axis. | | ||
+ | | The training compound. | | ||
+ | | The staff. | | ||
+ | | Each other.) | | ||
+ | | | | ||
+ | | (Each other.) | | ||
+ | | | | ||
+ | | | | ||
+ | | (Puru Two's hand rests atop her sister's head. She strokes the | | ||
+ | | girl's hair. Pats her back between cough-hiccup-sobs. | | ||
+ | | Wipes her messy face. Why, she wonders, did that happen? She | | ||
+ | | didn't do anything to deserve that. She's so upset. She could | | ||
+ | | have died. It wasn't even a fight. | | ||
+ | | So stupid. | | ||
+ | | So unfair. | | ||
+ | | I'll never let something like that happen again. | | ||
+ | | Ever.) | | ||
+ | | | | ||
+ | | The hiss is almost imperceptible as the faucet closes. Pale fingers stab | | ||
+ | | repeatedly at the controls. The drumming rainfall soon becomes a staccato | | ||
+ | | dripping, a gurgling, and then... a deafening silence. | | ||
+ | | | | ||
+ | | At least one of them still lives. | | ||
+ | | | | ||
+ | | She doesn't know how to process it. | | ||
+ | </pre> | ||
+ | </td></tr></table> | ||
[[Category:Cutscenes]] | [[Category:Cutscenes]] | ||
[[Category:Phase 1, Turn 1]] | [[Category:Phase 1, Turn 1]] |
Latest revision as of 00:37, 16 July 2022
- Cutscene: <Drowning in Memory>
- Cast: <Ple Two>
- Where: <The Shower>
- Date: <2022-05-30>
- Summary: <Puru Two remembers simpler times with one of her ailing clone sisters.>
| (This cutscene takes place after Puru Two is in the same map grid as the | | Garencieres, and by extension, Marida Cruz.) | | | | *** | | | | | | The shower has been running for half an hour, by now. The pump has long | | since flicked over to cyclical mode, because in the age of compact fusion | | reactors, electricity is cheap. Pale fingers splay against ceramic tiles. | | The cubicle's sole occupant does not stand, so much as lean against an | | imminent collapse. | | | | (Eleven identical children strain against their restraints, the | | visors of their normal suits clinking against a porthole. A | | A grand sight awaits them: the sun rising over the mighty spires | | of Axis. Soon to be their new home. To their young eyes, it | | is as wondrous any magic kingdom of legend.) | | | | Almost a perfect white noise, the arrhythmic chattering of water drowns out | | the static from within Puru Two's soul. Her back and neck are seared a | | brilliant red, as if recently slapped. The vapour fills her lungs and | | dizzies her. One finger lies still upon the stud which increases the | | water's temperature, and the display dully blinks: 107 F. | | | | (Ten identical children crowd around one who has fallen in a | | grassy quadrangle. The one who has fallen is thrashing, | | writhing, choking on something so harmless as a mouthful of | | nutrient gel. Being children, they panic. They cry. One | | of them runs for the sliding doors of the compound in search | | of a minder. It's not the fallen girl's fault. Her body is | | tired of the medicines, the augmentations, the changes in | | pressure. Her mind is tired, it resists the rigid structure | | forced on it. This is an unknowing act of rebellion.) | | | | A bath was preferable, but a shower? Almost as good. As each sense | | gradually grows too overloaded to keep track anymore, it's as good as | | turning them off. Eyes squeezed shut, Puru Two stares at the evolving | | fractals of grey-green that dance in the absence of sight. She feels only | | the numb drumming of the shower, hears only the distant roar of blood in | | her ears. The scent of faded shampoo has supplanted anything natural. The | | thin, recycled water in her mouth tastes of nothing. She is as removed | | from the physical world as can be. | | | | (One of these children drops to her knee and throws her | | book aside. The tablet spins lazily, end-over-end, in | | the low Axis gravity. She lifts her gagging sister in her | | arms, covers her eyes with one hand. One less sense to be | | overpowered by. Swiftly now, she moves both hands to the | | girl's abdomen. Closes one hand to a fist. She can feel the | | colour of her sister's presence, wild with panic and yet-- | | so tired. So wearied, ready to just run out of air | | and escape this life.) | | | | Puru Two's mind and spirit linger in the space between past and present, | | somewhere deep within. Withdrawn within her shell, submerged beneath the | | waters of a distant memory. The only place she can escape the whisper of | | nearby minds. Whispers she can usually withstand, but not today. Not right | | now. | | | | (The child with the numeral II on her gown gives a guttural | | grunt of effort as she tugs her fist upwards into her sister's | | ribcage. Choking noises give way to something liquid, wet, awful. | | And then--coughing. Crying. Tears of pain, and relief. The | | thrum of the sick girl's presence regains a warmer tone. | | The chilling fear of the end abates, giving way to more | | pedestrian complaints.) | | | | For eight long years, Puru Two has spent every cent that she has, she has | | stolen and lied and threatened and run from one place to another for a | | single purpose. Forever chasing a sign that someone; any of her kin still | | live. | | | | (A scheduled spring breeze washes over the frightened children. | | The one suffering the most lies with her head buried within her | | savior's lap. Arms loosely cling to her waist. | | Her every sense screams: I want to go home! But this is all home is. | | Axis. | | The training compound. | | The staff. | | Each other.) | | | | (Each other.) | | | | | | (Puru Two's hand rests atop her sister's head. She strokes the | | girl's hair. Pats her back between cough-hiccup-sobs. | | Wipes her messy face. Why, she wonders, did that happen? She | | didn't do anything to deserve that. She's so upset. She could | | have died. It wasn't even a fight. | | So stupid. | | So unfair. | | I'll never let something like that happen again. | | Ever.) | | | | The hiss is almost imperceptible as the faucet closes. Pale fingers stab | | repeatedly at the controls. The drumming rainfall soon becomes a staccato | | dripping, a gurgling, and then... a deafening silence. | | | | At least one of them still lives. | | | | She doesn't know how to process it. | |